After sports, my favorite hobby has long been watching movies. I won't try to define the reasons, or to explain why I have watched so little television by comparison, or ramble on about the beauty of film or whatever. There is no need when I provide no shortage of words over the rest of this post.
But I will say that, starting during the pandemic, I have tracked every film that I watch over the course of each year, and a couple years ago started bucketing them by how much I liked them. I will never get on Letterboxd, as I do not need another social media platform in my life. However, my brain demands that I organize trivial things. My vanity requires that I write my opinions. Hence, this post.
If you want the short version, you can find in this table all 60 films without commentary, sorted by tier.
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The long version, then, begins below. This post goes in reverse order from the table, starting with the one film I write off as worthless and ending on my ten favorite things I watched in 2024. Until the last section, the films are alphabetized within each tier.
Just Trash
Crash, dir. Paul Haggis (2004)
I added the "Just Trash" tier to my lists last year after watching Network (1976), a film that verbosely proclaims its own importance, intelligence, and righteousness at every opportunity. Crash, by comparison, is humbly earnest about its creator's faults: Paul Haggis, who is white, wrote the screenplay as a guilty reflection on his own racism a few years after being carjacked by Black men in Los Angeles.
To a degree, the thought is noble. A rich white man, however, is not the person the world needs writing parables about prejudice. "We're all a bit racist, but we're also all human" is not a profound thesis to an adult audience, or should not be. The premise is flawed from the start. The best-case scenario for this kind of movie is still at least a little overwrought and simplistic.
Yet even by sympathetic standards, Haggis' failure is spectacular. In the months since watching this film, its awfulness has haunted me to the point of costing me sleep. Crash tosses aside character growth as easily as it rushes to redeem its worst characters, fights racism with racist stereotypes and omnidirectional hate, uses ham-fisted symbolism, and in general does not seem to understand its own theses. It is utterly unsalvageable, only offering some perverse unintentional comedy to those not expecting its preposterous and incoherent turns.
Did Not Enjoy
The Raid, dir. Gareth Evans (2011)
The reason that this tier is called "Did Not Enjoy" instead of "Bad" or something similar is that sometimes a movie has some kind of merit but is just not my thing. The Raid is fairly good at what it is, which is to say an endless stream of impressively choreographed fight scenes and basically no plot or character depth. It's not my kind of action movie but can easily be someone else's.
